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A Quiet Demonstration and a Long Shadow

A Quiet Demonstration and a Long Shadow

To stay loose for the women’s 100-meter sprint at the 1968 Olympics in Mexico City, Wyomia Tyus danced the “Tighten Up” before settling into her starting blocks. The dance song was an early funk classic by Archie Bell and the Drells, a Houston band that proclaimed with jaunty assurance, “We don’t only sing, but we dance just as good as we want.”

Tyus stepped with similar confidence into the blocks. And 11.08 seconds later, she ran into history. She set a world record and became the first man or woman to win 100-meter titles in consecutive Olympics, ratifying the gold medal she won unexpectedly as a 19-year-old at the 1964 Summer Games in Tokyo.

Tyus’s brief dance was preserved on video and became part of Olympic lore. But, she acknowledged, perhaps no one noticed the protest against racism symbolized by the shorts she wore as a Black woman from Jim Crow Georgia. The shorts were dark blue — as close to black as Tyus had available and distinct from the official white shorts that her two American teammates wore in the race.

“It made the statement that I needed,” Tyus, now 75, said in a pair of expansive telephone interviews, calling it “my contribution to the protest for human rights.”

Antiracism protests by the quarterback Colin Kaepernick, and all the athletes who have denounced the murder of George Floyd, had an iconic precedent in the indelible glove-fisted salute by the sprinters Tommie Smith and John Carlos during the playing of “The Star-Spangled Banner” at the Mexico City Olympics.

But female athletes of color also have long advocated social justice, often to be overlooked. Only recently has Tyus finally begun to be recognized for her activism as well as her sprinting.

The stories of Tyus and other unnoticed or forgotten Black female athletes help provide an evolving understanding of sporting activism. Smith and Carlos, as powerful and unforgettable as their protest was, are “not where the story begins or ends; it’s more expansive than that,” said Amira Rose Davis, an assistant professor of history and African American studies at Penn State who is writing a book to be called “Can’t Eat a Medal: The Lives and Labors of Black Women Athletes in the Age of Jim Crow.”

Tyus does not remember the moment she decided to wear the dark shorts. She did not tell anyone of her intention, she said, or speak to reporters about her gesture afterward, believing that few seemed interested in what a woman, especially a Black woman, had to say in that era. “I wasn’t doing it for the press,” she said. “I was doing it for what I believed in, that it was time for a change.”

As the Mexico City Olympics continued, Tyus publicly criticized the expulsion of Smith and Carlos from the Games. She wore the dark blue shorts again in anchoring the American women to a world record in the 4×100-meter relay, then joined a teammate in briefly clenching her fist on the medal podium in support of Smith and Carlos. She also emphasized to reporters that the members of the relay team were dedicating their gold medals to their ousted countrymen.

Several years ago, Tyus donated her shorts to the National Museum of African American History and Culture in Washington. Yet they remain cataloged online simply as an article of athletic clothing, not an emblem of protest: Wilson track shorts, royal blue, elastic waistband and leg openings, wash in lukewarm water, use mild soap, do not bleach.

Not until Tyus co-wrote her memoir, “Tigerbelle,” in 2018, did other athletes, reporters and the public begin to understand her activism. Davis, of Penn State, places Tyus at a pivotal point where Black female athletes began decrying gender-based discrimination as well as racial injustice.